All in the aiga: Art and the Urban Pacific

How do we define an urban community? How do people form and retain their cultural identity in a city
environment where people from many places and cultural backgrounds have gathered? The exhibition
Urban Kainga in the Deane Gallery at City GalleryWellington, running 16 January to 28 March 2010,
raises these questions.

For Maori the word kaingameans dwelling or village. In the Kingdom of Tonga kainga relates to extended
family, and in Samoan the word is aiga. In Pacific communities the concept of kāingaextends beyond the
idea of 'neighbourhood' or place, to include blood ties, sharing traditional customs, and cultural
inheritance and legacy.

Urban Kainga features the art of four male artists who explore some of the challenges faced by Maori and
Pacific communities trying to retain traditional cultural customs, on top of the realities of suburban life.
Curator Reuben Friend says, "This is an exhibition with an unashamedly male viewpoint. In a time when
Māori and Pacific Island men are over represented in reports relating to ill health and social strife, these
four artists share their experiences of growing up in culturally rich but economically underprivileged
communities. These artists were amongst the first generation to be raised within New Zealand's post-war
working class suburbs. Their art echoes the social conditions and cultural surroundings of this urban
environment."

Terry Koloamatangi Klavenes' photography documents his kainga, his family and community. While his
family migrated to New Zealand in search of the 'Pacific Island dream', Klavenes found that his sense of
self and community were shaped by the uncertainties of relocation, and the ongoing anxieties of an
identity formed in a low socio-economic urban area.

Artist Nick McFarlane grew up near Porirua in Wellington, a community where gang members had a
strong presence during the 1980's. As a child of Pakeha descent growing up around these kinds of urban
tribes, McFarlane observed that the gangs were a side-effect of greater social problems. His reworked
gang patches describe some of the conditions in which gangs thrive.

The core motivation behind the art of Reweti Arapere (Ngati Raukawa, Tuwhareto) is the desire to
inspire other rangatahi (youth) to pursue the teachings of their ancestors in a way which will empower
them to become the rangatira (leaders) of tomorrow. He uses a combination of graffiti style stencils and
customary Maori art forms to tell the tale ofyoung urban Maori men who identify with both Māori and
metropolitan culture.

Siliga David Setoga's art looks at the impact of mass marketing and the media on his community and
identity. His art reworks globally recognised brands, often revealing insidious messages concealed
beneath the attractive packaging.

The Deane Gallery is one of City Gallery Wellington's new exhibition spaceswhich is dedicated to
exhibiting art which is focussed on issues of particular interest to Māori and Pacific audiences.

Urban Kainga
Reweti Arapere
Terry Koloamatangi Klavenes
Nick McFarlane
Siliga David Setoga
16 January -28 March 2010
Deane Gallery, City Gallery Wellington
Civic Square, Wellington
Ph: 04 801 3021, citygallery@wmt.org.nz www.citygallery.org.nz
Entry charges apply until February 7.
Free entry after February 7.